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- <text id=94TT1488>
- <title>
- Oct. 31, 1994: Presidency:Clinton's Blunt Instrument
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Oct. 31, 1994 New Hope for Public Schools
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- PRESIDENCY, Page 31
- Clinton's Blunt Instrument
- </hdr>
- <body>
- <p>By Kevin Fedarko--Reported by Bonnie Angelo/New York and Nina
- Burleigh/Washington
- </p>
- <p> When the diplomatic equivalent of a bar fight threatened to
- break out last week in the United Nations Security Council,
- Bill Clinton's most outspoken foreign-policy official unblinkingly
- held her own. The ruckus was touched off by Saddam Hussein's
- chief emissary, Tariq Aziz, who accused the U.S. of ignoring
- Iraq's good behavior and maliciously refusing to lift an economic
- embargo against Baghdad. Since less than a fortnight earlier
- Baghdad had menaced Kuwait with more than 80,000 troops, Aziz's
- remark was disingenuous, if not absurd. The task of pointing
- this out fell to Madeleine Albright, the American ambassador
- to the U.N. "Words are cheap," she bluntly declared. "Actions
- are the coin of the realm."
- </p>
- <p> That's the kind of flinty performance that makes Albright the
- steadiest and clearest voice on the Clinton foreign-affairs
- team. Her willingness to wield the big stick whenever the President
- needs to make a point, in contrast with the painful hedging
- often employed by Secretary of State Warren Christopher, has
- put her on the Washington gossip circle's short list of candidates
- for the Secretary's job if he is pushed into retirement after
- the midterm elections. "She is hot around here," says an Administration
- official. "A star," says another. "A crown jewel," chimes a
- third.
- </p>
- <p> In the process of earning those plaudits, Albright has transformed
- the job of U.N. ambassador from passive messenger to power player.
- In addition to explaining U.S. foreign policy, she now helps
- plot its direction. In an Administration initially wary of foreign
- entanglements, it was she who led calls for American involvement
- to prevent an exodus of Rwandan refugees into Zaire. Before
- that, she argued for a heightened U.S. role in Bosnia.
- </p>
- <p> The daughter of a Czech diplomat who thundered against totalitarianism,
- Albright is most effective when taking the offensive. Three
- weeks ago, she referred to another speech by Aziz as "one of
- the most ridiculous delivered at the U.N. by Iraq." And in July,
- she reduced the U.S. message to Haiti's illegal military government
- to these words: "You can depart voluntarily and soon, or you
- can depart involuntarily and soon." But behind each appearance
- of a freewheeling attack lies careful prep work. She assiduously
- maintains her Washington power base, shuttling from New York
- City as many as five times a week, and seldom lets fly a rhetorical
- cannonade without first getting an O.K. from the White House.
- </p>
- <p> Some detractors, however, view her as an apparatchik dutifully
- carrying out Clinton's policy. Others carp at her penchant for
- television--the President has personally ordered her to appear
- as often as possible--suggesting it reflects a superficial
- approach to foreign-policy issues. ("Ambassador Halfbright"
- is whispered by several adversaries in U.N. corridors.) Hypersensitive
- U.N. diplomats also resent her absence from the U.N. party circuit,
- but she pleads too little time "to go schmoozing around the
- halls." "The people I work with appreciate the fact that I'm
- plugged into Washington," she says. "I'm in the inner circle.
- I'm involved in everything."
- </p>
- <p> That proximity to the President makes her a formidable force
- for influencing the U.N.'s expanding role in the post-cold war
- era. "At this stage in world history," Albright says, "practically
- every foreign-policy issue has something to do with the U.N.
- It puts me in the wonderful position of being there at the takeoff,
- during flight and at the landing." Plus the chance to drop a
- few rhetorical bombs along the way.
- </p>
- </body>
- </article>
- </text>
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